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The Luxury Shrink<br />
Meet Leslie Randall, designer, artist, stylist, educator and fashion expert.<br />
By Lily Ziaja<br />
By Lily Ziaja<br />
Originally from Wisconsin,<br />
Randall attended the University<br />
of Minnesota. Immediately<br />
upon graduating with a degree<br />
in apparel design, Randall moved to New<br />
York City. After almost a decade in New<br />
York designing embellishments, patterns and<br />
graphics for Kate Spade, Randall decided<br />
to relocate to St. Paul, Minnesota. In 2019,<br />
Randall established The Luxury Shrink, a<br />
one-stop shop for her curated services in<br />
artwork, branding and styling.<br />
As she began to establish herself in St.<br />
Paul, Randall turned to her alma mater<br />
in hopes of sharing her experience in the<br />
fashion industry. This led to the 35-year-old<br />
fashion expert becoming a crucial member<br />
of the Design Board at the University of<br />
Minnesota.<br />
This interview touches on creative<br />
inspiration, how fashion shapes us as<br />
individuals and the meaning behind staying<br />
true to ourselves.<br />
Who is your biggest fashion inspiration?<br />
I have always loved Jackie Kennedy.<br />
She was the first person I really recognized<br />
as a fashion icon. There was something<br />
so effortless about her and what she wore.<br />
Everything was tailored to perfection.<br />
The perfect balance of ease, class and<br />
modernity but also timelessness.<br />
What is your strategy in dressing?<br />
I love to wear printed pants. A lot of<br />
my tops are basic. It is a similar formula,<br />
it's almost always a t-shirt, but then I'll do<br />
either crazy pants or a crazy jacket. I go<br />
crazy for vintage jeans as well. I am also<br />
really into fabric, so I do not buy a lot of<br />
synthetic fabrics and that is something I<br />
have learned over the years.<br />
Photo courtesy of Leslie Randall<br />
If you could live in any era of fashion<br />
what would it be/what is your favorite?<br />
I would say early 60s. It was the perfect<br />
blend of funkiness but also this really cool<br />
exploration of silhouettes. The prints. The<br />
polka dots, florals, and what they printed on<br />
silk. The 70s was when polyester became a<br />
thing. When you look at a silk print, it's so<br />
vibrant in a way that polyester isn’t.<br />
What is your favorite piece in your<br />
collection?<br />
I have my everyday piece that I cannot<br />
live without, which is my Jean-Charles<br />
de Castelbajac jacket. It is funny because<br />
I never would have thought it would be a<br />
staple piece for me. Sometimes you buy<br />
something that is not you and you just love<br />
it. I got it in New York and it is the most I<br />
have ever spent on a coat. I have worn it to<br />
death. It is my favorite. It is so versatile.<br />
Has fashion allowed you to form your<br />
identity as an individual?<br />
When I started fashion I was taught it<br />
wasn't about your identity, it was about<br />
your target market. When I moved to NYC<br />
I started to explore my own identity and<br />
style. I got into vintage which is incredible<br />
because its better quality, more affordable<br />
and it's one of a kind. I realized every<br />
fashion house uses vintage as inspiration<br />
because it is not replicable and it's the best<br />
of the best. Often we’re told it's not about<br />
you, but when it's your personal style, it's<br />
always about you. If you do not have a<br />
strong sense of self, how can you really<br />
ever have an opinion on anything? I grew<br />
to know what I liked and then I would<br />
attract people who liked the same thing. I<br />
built a little community. To me that was the<br />
most successful part in figuring out who I<br />
was and my own identity in fashion.<br />
What advice would you give someone<br />
wanting to enter the fashion industry?<br />
The biggest thing is to stay true to<br />
yourself and your own identity. That is<br />
the most important, it is why you love it<br />
in the first place. You should love what<br />
you do and you should love who you do<br />
it with. You should want to wear the stuff<br />
you make or even love it enough that you<br />
can see someone else wearing it. If you<br />
aren't happy, you can change direction. If<br />
you aren't paid enough, you can ask for a<br />
raise. Never lose sight of the fact that your<br />
standards are your standards and you don’t<br />
have to listen to them.<br />
What would you tell your 20- year- old<br />
self in regards to dressing and creative<br />
expression?<br />
I think one, you’re way too hard on<br />
yourself. I worked so hard and still didn’t<br />
think I was good enough. I felt like I didn’t<br />
deserve to be there because I was from the<br />
Midwest. Looking back, I know I killed<br />
it. Your job is to worry about yourself<br />
first. Also, that my mistakes would be as<br />
important, if not more important as my<br />
successes. Ultimately I wouldn’t change<br />
any of it.<br />
Illustrations by Leslie Randall<br />
38 <strong>INFLUX</strong> MAGAZINE SPRING <strong>2024</strong>